3/8/2023 0 Comments Practica musica gafori![]() Gaffurio's treatise is remarkable for its vast range, covering diverse topics including the systems of classifying music, physical properties of sound and the Pythagorean mathematical ratios, musical intervals, the Greek systema teleion, and the Guidonian solmization. A compendium of musical thought derived from Boethius and ancient philosophers, it reclaimed the heritage of Greek and Latin theory for Western musicians of the fifteenth century. ![]() Gaffurio's Theorica musice was one of the most widely read and influential musical books of the early Renaissance. In 1484 Gaffurius became maestro di cappella of the Duomo at Milan the Duomo's choir, patronized by the Sforza family, was at the time one of the most renowned choirs in Europe. The author, Franchino Gaffurio, or Gafori (1451 - 1522), also known under his latinized name, Franchinus Gaffurius, was an Italian Renaissance music theorist, musician and composer, and almost exact contemporary of Leonardo da Vinci, with whom he was likely acquainted. ![]() Christensen (ed.): The Cambridge History of Western Music Theory, p.31) "The Theorica musicae constitutes the most ambitious attempt among any musical humanist of the Italian Renaissance to subsume and synthesize Boethian harmonics and its few Hellenistic predecessors known to Gaffurio." (Th. Gaffurio's examples are in fact among the first instances of printed polyphonic music." (Collins Judd, op. when Gaffurio's treatises were published there was no 'music print culture,' that is, there was no printed polyphonic repertory. His three most significant treatises, Theorica musicae (1492), Practica musicae (1496) and De harmonia musicorum instrumentorum (1518) - often described as the theoretical trilogy - provided a complete study in theoretical and practical music. " Among the most important early printed treatises in terms of their influence on the sixteenth century were the writings of Franchino Gaffurio. Offered here is a textually complete example of this GROUND-BREAKING WORK OF RENAISSANCE MUSIC THEORY, including the celebrated woodcuts of Pythagoras' musical experiments, which are "the first to portray him as a musician" (D.E. Collins Judd, Reading Renaissance Music Theory, p.18). The later version of the book published in 1492 is much better known and usually treated as the definitive version of the treatise." (C. Second Edition First Edition Thus fully revised and expanded version of the first edition printed in Naples in 1480 under the title 'Theoricum opus musice discipline", which "was the first printed book broadly devoted to the study of music. ![]() (The only other copy currently on the market is listed at £75,000, i.e. Illustrated with a fascinating full-page woodcut comprising 4 scenes showing Pythagoras, Iubal and Phylolaus playing various musical instruments, and numerous schematic woodcuts, and some printed music. Milan: Filippo Mantegazza for Giovan Pietro da Lomazzo, 15 December 1492. ![]()
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